In today’s society, people are
surrounded by media. Media such as
television, posters, and billboards are used to portray information to
people. The two main structures of representation
that can be seen in the media are the male gaze and the oppositional gaze. These two structures of representation have a
strong impact in today’s society. The
understanding of these two structures has also impacted my view of various
media and my identity and role in these structures.
According
to Mulvey’s “Visual Pleasure and Narrative Cinema,” the male gaze is a
structure that portrays the male point of view.
Therefore, what is portrayed as desirable or not is determined by the
male spectator. The male gaze can be
clearly seen in the television and movie industry. For example, female characters are typically dressed
in high heels and tight form fitting clothes, which is a fashion that male
spectators define as desirable. The male
gaze can also be seen in the music industry.
Female singers typically sing and dress in a style that appeals to the
male interest. Why is this form of
vision pervasive in popular culture? In
most cultures, men are seen to hold the most power because the majority of the positions
of authority are held by men. Therefore,
the male gaze is the perspective most expressed because it is the point of view
of most authorities. The male gaze also
appeals to the female audience at times of appreciation, affection, and love
for the female counterpart.
Despite
the pervasiveness of the male gaze, the oppositional gaze is also a formidable
structure of representation in today’s media. According to Hooks’ “The
Oppositional Gaze,” the oppositional gaze is a structure that portrays the
longing or rebellious desire to see what the mainstream media neglects or
forbids to show. For example, when the
mainstream media engaged in white supremacy, the oppositional black gaze
responded by developing independent black cinema in order to depict the black
representation that the mainstream media neglected to show. Why has this oppositional gaze developed? According
to Hooks’ “The Oppositional Gaze,” the act of manipulating or repressing one’s
gaze is a strategy of oppression.
Therefore, in an effort to reestablish one’s own power and freedom, the
oppositional gaze is developed. With an
alternative perspective available, people can exercise their power to choose. Thus, regaining the freedom to choose and guide
their own perspective.
The
understanding of the oppositional gaze along with the male gaze, has impacted my
view of various media and my own identity and role in these structures. Upon observing television, movies, and music,
I am aware that nearly all media representation falls in the category of these
two structures. The male gaze can be
seen in television programs such as America’s Next Top Model. The models would dress and act in a way that
is deemed most desirable by the male perspective. The oppositional gaze can be seen in music
celebrities such as Lady Gaga. Lady Gaga
would sing and dress in a fashion that is unconventional and against the
typical mainstream fashion. Not only do
various media fall in the category of these two structures but my identity as
well. In my early teens, I recall a
desire to be approved by the male gaze.
However, as I shrived to become approved by the male perspective, I
became less comfortable with the way I perceived myself. Out of this experience born a strong desire
in me to care only about how I perceive myself and disregard other’s opinion of
me. Therefore, I can now be categorized in
the oppositional gaze.
The
male gaze and oppositional gaze are the two main structures of representation
in today’s society. These two structures
can be seen in various media such as television, movies, and music. It has also impacted my views and my identity
and role in these structures. With the
male gaze being prevalent, I have adopted the definition of beauty deemed by
the male perspective when I was in my early teens. It is surprising to notice that these two
structures of representation play such a big part in today’s society. With the oppositional gaze gaining more popularity,
perhaps one day the male gaze would become less pervasive in today’s mainstream
media.
Works
Cited
Hooks, Bell. “The Oppositional Gaze.” Black Looks: Race and Representation. Boston:
South End Press, 1992: 115-31.
Mulvey, Laura. "Visual Pleasure and Narrative Cinema." Film Theory and Criticism: Introductory Readings. NY: Oxford UP, 1999: 833-844.
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