The male gaze is synonymous with the erotic look. It is a
way for men to normalize the image of the woman—an object. Touching back on our
class discussion, the dehumanization of the female body in art and media
instilled a culture where the female identity is built upon the idea of being
looked at and displayed. The male gaze functions to oppress women and make it
acceptable for us, as a society, to oppress women.
It can be argued that the male gaze is the image of the
woman as an erotic object for the pleasure of men. But what I noticed from
Laura Mulvey and Jean Kilbourne’s articles is the idea that the male gaze is a
tool to oppress and suppress the potential power of women. In Mulvey’s essay
“Visual Pleasure and Narrative Cinema,” she provides a deeper psychoanalytic
reading of the “active/male and passive/female” roles. While she acknowledges
that the female image serves as a pleasure factor for the male phantasy, she
states that it is a way to undermine the power that women actually have. The
image of the female, “her lack of penis, implying a threat of castration and
hence unpleasure. Ultimately, the meaning of women is sexual difference”
(Mulvey 840). From this psychoanalytic approach, the image of the female should
be one of those extremist, anti-male, Amazon feminists; but its not. This is
where the male gaze comes into the picture. Mulvey later says of the male gaze
that, “The argument turns again to the psychoanalytic background in that woman
as representation signifies castration, inducing voyeuristic or fetishistic
mechanisms to circumvent her threat” (843).
I related Mulvey’s psychoanalytic assessment to the
Kilbourne article because she too talks about the idea that mass media is
distracting girls from reaching their full potential. "Powerful women are seen by many people as inherently destructive and dangerous" (Kilbourne 137). So what better way to undermine their potential than by convincing women to focus their energy on looking at themselves and each other? Mass media, similar to
the male gaze, instills a culture of oppression. Albeit more subtle, mass media
makes women believe their goals should be superficial, and "empowers" them to
believe that obtaining unattainable "beauty" is the only way to achieve "success". Kilbourne says, “Girls in false quests
for power and control, while deflecting attention and energy from that which
might really empower them” (138).
Bell hooks’s oppositional gaze was a way for non-white,
females to choose how they look at the media. It was a way to create an
identity based on yourself rather than what mass media tells you to be. Bell
hooks states this identification better, “enables both black women to define
their reality, apart from the reality imposed upon them by structures of
domination” (129). In a way, the oppositional gaze was a way of looking not as
a passive female, but as an active female. I don't think its enough to say that the oppositional gaze is just reclaiming something. In fact its claiming something that was never thought of. Its a creation of "a special syntax for a different articulation of the female body" (hooks 129). I agree that identification can stem from recognition and representation of what already exists. But I also understand bell hooks's understanding of the oppositional gaze roots itself in creation and as a "form of representation which is able to constitute us as new kinds of subjects, and thereby enable us to discover who we are" (131).
One example I immediately thought of was the Axe Hair
commercial which perfectly illustrates the male gaze. It tries to satirize the
idea that men only initially pay attention to women’s breasts. But in the ad,
it blatantly objectifies women. “She” is just a set of breasts on legs. While
Axe tries to romanticize this “office love” it turns the objectification of
women into something that should be humorous and even encouraged, saying "its not our fault we're visual creatures." As if males, or society, should take absolutely no responsibility for perpetuating this idea that women are merely objects to be looked at. I guess I could understand the thought behind the ad to make both males and females guilty of objectification but it doesn't work. Even though it says "we're visual creatures," the man (hair) is still the one calling the shots, the male is still in a position of power. This ad further reinforces my idea that males have instilled the male gaze into society and mass media so not only do men judge and objectify women, but women are placed in a position to judge and objectify not only themselves but other women too.
I believe this Funny or Die video actually satirizes the idea
of women being on display for men. It not only makes it funny, it illustrates the
ridiculous sexist issue that exists. While it is still a comedic video, you can
tell it wasn’t just made for male viewers, but also female as well, unlike the
Axe Hair commercial. It makes light of the frustrating situation, but it still (at least I hope it does) make you think twice about what the deeper issue is. It addresses the problematic male gaze in a way that is relatable to both men and women. It satisfies women because it isn't just all about the tits and men's attraction to them, and it doesn't turn men away because it is too preachy/feminist. I love this video not only because I love Marion Cotillard, but it also give me some hope that there is a way to have this conversation, bringing the male gaze into consciousness while still engaging both male and female.
Works Cited:
hooks, bell. "The Oppositional Gaze." Black Looks: Race and Representation. Boston: South End Press, 1992: 115-31
Mulvey, Laura. "Visual Pleasure and Narrative Cinema." Film Theory and Criticism: Introductory Readings. NY: Oxford UP, 1999: 833-844
Kilbourne, Jean. "The More You Subtract The More You Add Cutting Girls Down To Size." Can't Buy My Love: How Advertising Changes the Way We Think and Feel. Touchstone, 1999. 128-54.
Thanks for the Tattaes video! Comedy can truly attack the heart of this issue, because the most powerful threat to feminism is an intelligent, comedy-loving person, male or female, who doesn't yet know that poking fun at feminism can really hinder its progress. [For example, this: http://www.youtube.com/watch?v=Zr162OZ2Z0w]
ReplyDeleteThat was a great video. Although, i sometimes feel that even those who critisize the media and those who are educated about the topic still fall into the regime.how do we stop this? Is it too late for woman kind not to be objects for others? Well put together.
ReplyDeleteFirst of all, excellent post Nicole. The video of the Axe commercial makes me upset that this would be an accepted part of popular culture. How low can we go? That is the question. To completely separate a women into body parts teaches our younger generation to see them as objects of lust or desire and not as human beings. The second video is very funny yet very real. Its comedy pokes fun at the male gaze and captures the attention of what really goes on in the media saturated world. I hope they continue to make these types of videos criticizing the male gaze and less of the commercials like Axe.
ReplyDeleteI thought the two videos were really great choices to explain the readings. It shows how we can be critical and also make it funny. But for the most part, what makes it funny is that it is true. Though how true is it that guys only look at breasts and not our eyes? I wouldn't know because mine are not out there considering I was gifted with small ones. Even my acceptance of small breasts might not indicate that other females feel the same way about theirs. Girls might see this video and laugh but when they look away, they might start to think that they don't have any and feel insecure that they don't because media emphasizes on big breasts all the time. So this video could be an oppositional criticism, considering it does not apply to all women. But I still find this effective because at the end of the day, it is trying to tell us something that not only does this happen in the real life situations, but is a constant emphasis on ads. Let's consider Cortese's Constructed Bodies, Deconstructing Ads: Sexism in Advertising when Barbie is redesign into a more realistic shape, where her breasts are reduced and this costs her her Hooters job. In a children's toy, we see this embedded, which makes it hard to get rid of this notion when it begins at a small age. So where can we begin to make this all slowly go away? By constantly criticizing it in every way possible that can be easily understood by others.
ReplyDelete